“, Native Women in FILM a film production company, Red Nation Television Network | Native is Here, Copyright© 2020 All Rights Reserved - Red Nation Film Festival | Made in Indian Country USA, https://nativewomeninfilm.com/why-we-wear-red/. Declan offers to get a crowbar that Rose needs from the shed and finds the cocaine stash that Twix (Ajuawak Kapashesit) has been stealing from him. For Obomsawin, all of this is a stark contrast to the start of her career, when she had an "awful" time trying to get funding for documentaries including "Mother of Many Children" and "Incident at Restigouche.". Announced in June, the office aims to develop a long-term strategy to help support the development, production and marketing of content in the Canadian Indigenous screen-based industry. The past year also saw a spotlight on Indigenous filmmaking during various celebrations for Canada's 150th birthday, and Telefilm vowed to provide increased support for Indigenous filmmakers. NATIVE WOMEN IN FILM IN HOLLYWOOD TAKE ON THE SUBJECT OF MURDERED & MISSING WOMEN and Lack of Inclusion in film and television. It's also expected to be released next year. rights reserved. ", Copyright owned or licensed by Toronto Star Newspapers Limited. Toussaint’s formidable Flo Kennedy is the standout, while Midler’s hell-raising Abzug is the most fun. "It gives an opportunity for a native student to walk into a theatre and see somebody that looks like them on the big screen - not just as background, not just as an extra or something, but as an actual, full-fledged character, as a lead character. Director: Gabrielle Norte “Indian Horse” is a haunting tale tinged by a pervasive sadness. "I think that very much is the contemporary Indigenous filmmaker, and I think there's lots of folks that could be directing a horror movie in the next 10 years from our community. "I think you're really seeing a lot of Indigenous futurism ... a lot of post-apocalyptic ideas, a lot of notions around what an Indigenous future would look like," says Wente. Clint Eastwood is executive producer of the drama, which is full of Indigenous talent and is slated to hit theatres April 13. To order copies of On Mitzi Bearclaw's 25th birthday, she's asked to come back home to her reserve from her life designing hats in downtown Toronto to see her sick mother. (THE CANADIAN PRESS / Galit Rodan). Executive Producer: Coushatta Tribe of Louisiana Toronto Star articles, please go to: www.TorontoStarReprints.com. Cast: Sacheen Littlefeather  On Mitzi Bearclaw's 25th birthday, she's asked to come back home to her reserve from her life designing hats in downtown Toronto to see her sick mother. Hollywood Indian), Joanelle Romero (dir. "I feel that we're really going someplace where we've never gone before. Announced in June, the office aims to develop a long-term strategy to help support the development, production and marketing of content in the Canadian Indigenous screen-based industry. ... A birthday present from the SFMTA. CREDITS: Directed by Stephen S. Campanelli, starring Saden Peltier, Forrest Goodluck and Ajuawak Kapashesit. The Condor & The Eagle documentary offers a glimpse into a developing spiritual renaissance as the film four protagonists learn from each other’s long legacy of resistance to colonialism and its extractive economy. After decades of misrepresentation and under-representation of Indigenous culture in Canada's screen industry, the community is experiencing a boost. One of the biggest game-changers is the Indigenous Screen Office, a collaboration between the Aboriginal Peoples Television Network, the CBC, the Canada Media Fund, Telefilm Canada, the Canadian Media Producers Association, and the National Film Board of Canada. It’s 1978 and Margo Crane, a 15 year old part Native teen, must take to the Stark River on an odyssey. Julianne Moore, left, and Janelle Monae appear in “The Glorias.” (Courtesy Dan McFadden/LD Entertainment/Roadside Attractions). "The hope is that we'll get to a point with the screen office where it's Indigenous people who are greenlighting Indigenous-led projects, which currently does not exist and has never existed, at places like Telefilm or the CMF," says Jason Ryle, artistic director of the imagineNATIVE Film and Media Arts Festival. He goes into the house angry and yells at Rose asking if she has been taking from him. And who gets to tell our stories? Login to report an issue. Dates and some of the playwrights have been announced for second annual National Native American Ten Minute Play Festival, which will grow by 50 percent this year as … There, they were taught to deny their own culture and heritage. Tribal Councilmember), ** RNCI Red Nation International Film Festival Award Winner for ‘Best Documentary’ 2019, The Condor & The Eagle  | February 5th | 9:00pm Q & A with Producer Jacqueline A Garcia … *On the Red is Green Carpet* start at 8:00pm, Oscar-winning Editor/Producer Douglas Blush (Mr. Co-Executive Producer: Leslie Gill Leo’s constant uprooting of the family distresses Gloria’s mother, Ruth (Enid Graham), a former aspiring journalist whose stories about working in that woman-unfriendly profession ignite in her young daughter a determination to change the picture. ", Wente and Ryle also point to Taika Waititi, the Indigenous filmmaker from New Zealand behind the 2017 superhero hit "Thor: Ragnarok.". Fifty years after starting her distinguished career amid major funding roadblocks, the Quebec-raised 85-year-old is elated to see Indigenous filmmaking finally at an "exciting" place heading into 2018, with new initiatives including an Indigenous Screen Office in Canada. Based on the best selling novel ONCE UPON A RIVER by Bonnie Jo Campbell. "That's something that I think is important for kids to see if they want to potentially go down that road in the future and say, 'Hey, this is something we can actually do."'. Producers: Haroula Rose, JJ Ingram, Includes a post screening Q&A with the director Haroula Rose, ** RNCI Red Nation International Film Festival Award Winner for ‘Best Picture’ ‘Best Director’ ‘Outstanding Actor in a Leading Role’ 2019. An Annie Oakley admirer who takes pride in her own shooting skills, Margo finds herself in survival mode when a traumatic incident involving the predatory patriarch (Coburn Goss) of a local family forces her to flee in a rowboat and search for the mother (Lindsay Pulsipher) who abandoned her. In all of its technical aspects, Indian Horse is a gorgeous film. ... A birthday present from the SFMTA. Soul, Icarus, 20 Feet From Stardom, The Hunting Ground, The Invisible War) says about The Condor & The Eagle: “This documentary takes the struggle for Climate Justice beyond the standard borders of separate nations and shows a new, larger movement rising up across many Indigenous peoples, using thrilling cinematography, deeply personal stories and the urgency of tomorrow’s headlines. Birthday - Place of Birth-Also Known As-Login to edit.

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